![]() The Humanist types were at the same time the first roman types. The Humanist types (sometimes referred to as Venetian) appeared during the 1460s and 1470s, and were modelled not on the dark gothic scripts like textura, but on the lighter, more open forms of the Italian humanist writers. Thankfully, types based on blackletter were soon superseded by something a little easier to read, (drum roll…)-enter Humanist. The model for the first movable types was Blackletter (also know as Block, Gothic, Fraktur or Old English), a heavy, dark, at times almost illegible - to modern eyes - script that was common during the Middle Ages. can refer to the earliest stages in the development of anything, but it has come to stand particularly for those books printed in Europe before 1500. - A Short History of the Printed Word So, without further ado, let’s begin our journey - a journey that will take us from the incunabula to the present day. Look at that Humanist inspired type! Note how the bar of the lowercase “ e”…. Humanist | Old Style | Transitional | Modernīy the end of this six-part series, you will be quite au fait with all of these terms and just imagine the joy you will experience when you proudly exclaim to the delight of your spouse, girlfriend, boyfriend, neighbor, guy at the corner shop, During the 1800s a system of classifying type was derived, and although numerous other systems and subsets of this system exist, this basically is it: The term Humanist is part of the nomenclature that describes type classification. You may have come across this term before (or you may even be thinking, what the hell’s that?). Today we’re going to take a look at just one of those terms, namely “Humanist”. ![]() Learning the lingua franca (lingo) of type will make typography that much more accessible and that will, in turn, lead to greater understanding, and hopefully a greater appreciation for all things “type”. An alternative is oblique type, in which the type is slanted but the letterforms do not change shape: this less elaborate approach is used by many sans-serif typefaces.Įvery subject, from dentistry to dog handling has its own vocabulary - terms that are peculiar (unique) to it. Different glyph shapes from Roman type are usually used – another influence from calligraphy – and upper-case letters may have swashes, flourishes inspired by ornate calligraphy. Aldus Manutius and Ludovico Arrighi (both between the 15th and 16th centuries) were the main type designers involved in this process at the time. The name comes from the fact that calligraphy-inspired typefaces were first designed in Italy, to replace documents traditionally written in a handwriting style called chancery hand. One manual of English usage described italics as "the print equivalent of underlining". Italics are a way to emphasise key points in a printed text, or when quoting a speaker a way to show which words they stressed. Owing to the influence from calligraphy, italics normally slant slightly to the right. In typography, italic type is a cursive font based on a stylized form of calligraphic handwriting.
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